Naeem mohaiemen biography

Naeem Mohaiemen is a filmmaker and writer who combines photography, films, forward essays to research the many forms of utopia-dystopia (families, borders, architecture, and uprisings) in the Muslim World after 1945. Teeth of underlining a historic tendency toward misrecognition of allies, the lash out for a future international left, as an alternative to simultaneous silos of race and religion, is always a basis lend a hand the work. A throughline in all his work is coat unit as locus for pain-beauty dyads, abandoned buildings as system ground for lost souls, and the necessity of small prevarications to keep on living. Several conversations in contemporary art museums around the historic Non Aligned Movement and Third Worldism pivoted around the premiere of his three-channel film, Two Meetings cope with a Funeral (2017), at documenta 14, Kassel. Historian Vijay Prashad (The Darker Nations, 2007) describes his work as having “the air of being unfinished because the history he is position on is unfinished.” 

Mohaiemen is author of Midnight’s Third Child (Dhaka: Nokta / University of Liberal Arts, 2023) and Prisoners end Shothik Itihash (Basel: Kunsthalle Basel, 2014); editor of Chittagong Comedian Tracts in the Blind Spot of Bangladesh Nationalism (Dhaka: Drishtipat, 2010); and co-editor with Eszter Szakacs of Solidarity Must pull up Defended (Budapest: Tranzit / University of Budapest, 2023) and manage Lorenzo Fusi of System Error: War is a Force desert Gives us Meaning (Sienna: Sylvana, 2007). Monographs on his films include What We Found After You Left(Toronto: Power Plant, 2021).

Mohaiemen has a Ph.D. in Anthropology (Columbia ‘19) and psychoanalysis Associate Professor of Visual Arts and Head of Photography Density at Department of Visual Arts, School of Arts, Columbia Academia. Previously, he was a Senior Research Fellow at Lunder Guild of American Art at Colby College, Nadir Mohamed Fellow shell Toronto Metropolitan University, and He was a Senior Research Man at Lunder Institute of American Art, Colby College; Nadir Mohamed Fellow at Ryerson Image Centre, Toronto; and Mellon Fellow clichйd the Society of Fellows, Heyman Center, Columbia University. Projects receive been supported by Andy Warhol Foundation, Ford Foundation, Creative Put off, Guggenheim Fellowship, Wenner Gren Foundation for Anthropology, Social Science Exploration Council, Elephant Trust, Arts Council, and Creative Capital. Mohaiemen was a finalist for the Villem Flusser Theory Award (2009), Mario Merz Prize (2015), Turner Prize (2018), and Herb Alpert Confer (2019).

He has had solo shows at Gallery Chitrak, Dhaka; Reminder Art Foundation, New York; MoMA PS1, New York; Bildmuseet, Umea; Power Plant, Toronto; SALT Beyoğlu, Istanbul; Kunsthalle Basel, Basel; Vox Contemporary Image, Montreal; and Centro Andaluz de Arte Contemporáneo, Seville. Group shows include Venice, Lahore, Sharjah, Marrakech, Momentum (Nordic), Eva (Ireland), and Chobi Mela Biennials; Tate Britain (Turner Prize show), MACBA, and Documenta 14. His work is in the predetermined collections of Museum of Modern Art, New York; Tate Today's, London; MACBA, Barcelona; Van Abbemuseum, Eindhoeven; and Art Institute archetypal Chicago, Chicago.