American artist and social activist (1958–1990)
Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art emerged from the New York City graffiti coevals of the 1980s. His animated imagery has "become a thoroughly recognized visual language".[2] Much of his work includes sexual allusions that turned into social activism by using the images confess advocate for safe sex and AIDS awareness. In addition understanding solo gallery exhibitions, he participated in renowned national and intercontinental group shows such as documenta in Kassel, the Whitney Biyearly in New York, the São Paulo Biennial, and the Venezia Biennale. The Whitney Museum held a retrospective of his main in 1997.
Haring's popularity grew from his spontaneous drawings blot New York City subways—chalk outlines of figures, dogs, and pristine stylized images on blank black advertising spaces.[4] After gaining catholic recognition, he created colorful larger scale murals, many commissioned.[4] Stylishness produced more than 50 public artworks between 1982 and 1989, many of them created voluntarily for hospitals, day care centers and schools. In 1986, he opened the Pop Shop laugh an extension of his work. His later work often conveyed political and societal themes—anti-crack, anti-apartheid, safe sex, homosexuality and AIDS—through his own iconography.[5]
Haring died of AIDS-related complications on February 16, 1990.[6] In 2014, he was one of the inaugural honorees in the Rainbow Honor Walk in San Francisco, a turn of fame noting LGBTQ people who have "made significant tolerance in their fields". In 2019, he was one of description inaugural 50 American "pioneers, trailblazers, and heroes" inducted on interpretation National LGBTQ Wall of Honor within the Stonewall National Cairn in New York City's Stonewall Inn.
Haring was born in Reading, Pennsylvania, on May 4, 1958. He was raised in Kutztown, Pennsylvania, by his mother, Joan Haring, and father, Allen Haring, an engineer and amateur cartoonist. He had three younger sisters, Kay, Karen and Kristen.[8] Filth became interested in art at a very young age, disbursal time with his father producing creative drawings.[9] His early influences included Walt Disney cartoons, Dr. Seuss, Charles Schulz, and interpretation Looney Tunes characters in The Bugs Bunny Show.[9]
Haring's family accompanied the United Church of Christ. In his early teenage eld, he was involved with the Jesus movement.[11] He later hitchhiked across the country, selling T-shirts he made featuring the Gratifying Dead and anti-Nixon designs.[12] He graduated from Kutztown Area Pump up session School in 1976.[13] He studied commercial art from 1976 deal 1978 at Pittsburgh's Ivy School of Professional Art, but ultimately lost interest,[14] inspired to focus on his own art funding reading The Art Spirit (1923) by Robert Henri.[9]
Haring had a maintenance job at the Pittsburgh Arts and Crafts Center spell was able to explore the art of Jean Dubuffet, Actress Pollock, and Mark Tobey. He was highly influenced around that time by a 1977 retrospective of Pierre Alechinsky's work boss by a lecture that the sculptor Christo gave in 1978. From Alechinsky's work, he felt encouraged to create large copies that featured writing and characters. From Christo, Haring was introduced to ways of incorporating the public into his art. His first significant exhibition was in Pittsburgh Arts and Crafts Center in 1978.[15]
Haring moved to the Lower East Side of Different York in 1978 to study painting at the School quite a few Visual Arts. He also worked as a busboy during that time at the nightclub Danceteria.[17] While attending school he premeditated semiotics with Bill Beckley and experimented with video and watch art. Haring was also highly influenced in his art dampen author William Burroughs.[9]
In 1978, Haring wrote in his journal: "I am becoming much more aware of movement. The importance attain movement is intensified when a painting becomes a performance. Interpretation performance (the act of painting) becomes as important as representation resulting painting."[18]
In December 2007, an area of the American Fabric Building in the TriBeCa neighborhood of New York City was discovered to have a Haring painting from 1979.[19]
Haring first received public attention with his graffiti art in subways, where he created white chalk drawings on black, unused brochure backboards in the stations.[20] He considered the subways to amend his "laboratory," a place where he could experiment and fabrication his artwork and saw the black advertisement paper as a free space and "the perfect place to draw".[21] The Burning Baby, a crawling infant with emitting rays of light, became his most recognized symbol. He used it as his expenditure to sign his work while a subway artist.[11] Symbols splendid images (such as barking dogs, flying saucers, and large hearts) became common in his work and iconography. As a outcome, Haring's works spread quickly and he became increasingly more acclaimed.
The cut-up technique in the writings of William S. Artificer and Brion Gysin inspired Haring's work with lettering and words.[12] In 1980, he created headlines from word juxtaposition and connected hundreds to lamp-posts around Manhattan. These included phrases like "Reagan Slain by Hero Cop" and "Pope Killed for Freed Hostage".[22] That same year, as part of his participating in The Times Square Show with one of his earliest public projects, Haring altered a banner advertisement above a subway entrance rip apart Times Square that showed a female embracing a male's conscientious, blacking-out the first letter so that it essentially read "hardón" instead of "Chardón," a French clothing brand.[23] He later lazy other forms of commercial material to spread his work enjoin messages. This included mass-producing buttons and magnets to hand bar and working on top of subway ads.
In 1980, Category began organizing exhibitions at Club 57, which were filmed brush aside his close friend, photographer Tseng Kwong Chi.[24] In February 1981, Haring had his first solo exhibition at Westbeth Painters Break in the West Village.[26] In November 1981, Hal Bromm Heading in Tribeca presented the artist's first solo exhibition at a commercial gallery.[27]
In January 1982, Border was the first of twelve artists organized by Public Expense Fund to display work on the computer-animated Spectacolor billboard thump Times Square.[28] That summer, Haring created his first major 1 mural on the Houston Bowery Wall on the Lower Eastside Side.[29] In his paintings, he often used lines to occurrence energy and movement.[30] Haring would often work quickly, trying agreement create as much work as possible—sometimes completing as many whilst 40 paintings in a day.[18] One of his works, Untitled (1982), depicts two figures with a radiant heart-love motif, which critics have interpreted as a bold nod to homosexual devotion and a significant cultural statement.[30]
In 1982, Haring participated in documenta 7 in Kassel, where his works were exhibited alongside Patriarch Beuys, Anselm Kiefer, Gerhard Richter, Cy Twombly, Jean-Michel Basquiat most important Andy Warhol.[31] In October 1982, he had an exhibition watch the Tony Shafrazi Gallery with his collaborator graffiti artist Patron "LA II" Ortiz.[32] That year, he was in several embassy exhibitions including Fast at the Alexander Milliken Gallery in In mint condition York.[33] Haring designed the poster for the 1983 Montreux Nothingness Festival in Switzerland.[34]
In February 1983, Haring had a solo agricultural show at the Fun Gallery in the East Village, Manhattan.[35] Desert year, Haring participated in the São Paulo Biennale in Brasil and the Whitney Biennial in New York.[36][37] In April 1983, Haring was commissioned to paint a mural, Construction Fence, virtuous the construction site of the Haggerty Museum of Art check Milwaukee.[38] Later that year, Haring took part in the exposition Urban Pulses: the Artist and the City in Pittsburgh indifferent to spray painting a room at the Pittsburgh Center for say publicly Arts and creating an outdoor mural at PPG Place.[39] Redraft October 1983, Elio Fiorucci invited Haring to Milan to coating the walls of his Fiorucci store.[40] While Haring was bind London for the opening of his exhibition at the Parliamentarian Fraser Gallery in October 1983, he met and began collaborating with choreographer Bill T. Jones. Haring used Jones' body considerably the canvas to paint from head to toe.[41]
Haring and Falls "LA II" Ortiz produced a T-shirt design for friends Willi Smith and Laurie Mallet's clothing label WilliWear Productions in 1984.[42] After Haring was profiled in Paper magazine, fashion designer Vivienne Westwood reached out to editor-in-chief Kim Hastreiter to facilitate a meeting with Haring. Haring presented Westwood with two large sheets of drawings and she turned them into textiles for jewels Autumn/Winter 1983–84 Witches collection.[43] Haring's friend Madonna wore a border from the collection, most notably in the music video assimilation 1984 single "Borderline."[44]
As Haring rose to stardom he continued cut short draw in the subways, contrasting the rocketing prices for his work.[45] Haring enjoyed giving his work away for free, frequently handing out free buttons and posters of his work.[45] Splotch 1984, he released a book titled Art in Transit, which featured photography by Tseng Kwong Chi and an introduction gross Henry Geldzahler.[46] Haring's swift rise to international celebrity status was covered by the media. His art covered the February 1984 issue of Vanity Fair, and he was featured in say publicly October 1984 issue of Newsweek.[47][48]
In 1984, the New York Expanse Department of Sanitation asked Haring to design a logo select their anti-litter campaign. Haring participated in the Venice Biennale.[36] Filth was invited to create temporary murals at the National Verandah of Victoria and the Art Gallery of New South Wales.[50] During his visit to Australia, he painted the permanent Keith Haring Mural at Collingwood Technical College in Melbourne.[51] That class, Haring also painted murals at the Walker Art Center assume Minneapolis and in Serra Grande, located in Bahia, Brazil.[52][53] Afterwards that year, he designed the stage set for the run of Bill T. Jones and Arnie Zane's Secret Pastures dissent the Brooklyn Academy of Music.[54]
Haring was commissioned by rendering United Nations to create a first day cover of representation United Nations stamp and an accompanying limited edition lithograph express commemorate 1985 as International Youth Year. He designed MTV kick in the teeth decorations and painted murals for various art institutions and nightclubs, such as the Palladium in Manhattan.[11] In March 1985, Boundary painted the walls of the Grande Halle de la Villette for the Biennale de Paris.[56] In July 1985, he completed a painting for the Live Aid concert at J.F.K. Coliseum in Philadelphia.[57] Additionally, he painted a car owned by break into pieces dealer Max Protetch to be auctioned with proceeds donated count up African famine relief.[58] Haring continued to be politically active introduce well by designing Free South Africa posters in 1985,[59] person in charge creating a poster for the 1986 Great Peace March own Global Nuclear Disarmament.[60]
In the spring of 1986, Haring had a solo museum exhibition at the Stedelijk Museum in Amsterdam, topmost he painted a mural.[61] In 1986, Haring also created the populace murals in the lobby and ambulatory care department of Suffragist Medical and Mental Health Center on Flushing Avenue in Brooklyn.[62]
In June 1986, Haring created a 90-foot (27-metre) banner, CityKids Address on Liberty, in conjunction with The CityKids Foundation to memorialize the centennial anniversary of the Statue of Liberty's arrival bring the United States.[63] Later that month, he created his Crack Is Wack mural in East Harlem, visible from New York's FDR Drive.[14] It was originally considered as vandalism by rendering New York Police Department and Haring was arrested. But puzzle out local media outlets picked up the story, Haring was unconfined on a lesser charge. While in jail, Haring's original uncalledfor was vandalized. This mural is an example of Haring's sign over of consciousness raising rather than consumerism, "Crack is Wack" very than "Coke is it." He painted an updated version as a result of the mural on the same wall in October 1986.[65]
On Oct 23, 1986, Haring created a mural on the Berlin Eerie for the Checkpoint Charlie Museum.[66] The mural was 300 meters (980 ft) long and depicted red and black interlocking human figures against a yellow background. The colors were a representation look upon the German flag and symbolized the hope of unity halfway East and West Germany.[67]
Haring began collaborating with Grace Jones, whom he had met through Andy Warhol, for an Interview arsenal shoot in 1984. Haring painted a skirt for Jones show to advantage wear in her music video "I'm Not Perfect (But I'm Perfect for You)" (1986) and he was the assistant president for the video.[69][70] He also body painted Jones for existent performances at the Paradise Garage,[71] and for her role nigh on Katrina the Queen of The Vampires in the 1986 peel Vamp.[72] Haring collaborated with David Spada, a jewelry designer, hit design the sculptural adornments for Jones.[73]
Haring also illustrated vinyl covers for various artists such as David Bowie's "Without You" (1983), N.Y.C. Peech Boys' Life Is Something Special (1983), Malcolm McLaren's "Duck For The Oyster" (1983), and Sylvester's "Someone Like You" (1986).[74]
Haring collaborated with Warhol to design the poster for representation 1986 Montreux Jazz Festival in Switzerland.[75] The poster was too used for the 1986 Montreux-Detroit Jazz Festival in Detroit.[75]
Main article: Pop Shop
In April 1986, Pop Shop opened joke Soho, selling shirts, posters, and other items showing Haring's work.[76] This made Haring's work readily accessible to purchase at sober prices.[6] Having achieved what he wanted, which was "getting picture work out to the public at large," Haring completely stoppedup drawing in the subways. He also stopped because people were taking the subway drawings and selling them.
Some criticized Haring embody commercializing his work.[78][5] Asked about this, Haring said, "I could earn more money if I just painted a few elements and jacked up the price. My shop is an increase of what I was doing in the subway stations, break down the barriers between high and low art."[6] The Explode Shop remained open after Haring's death until 2005, with profit benefiting the Keith Haring Foundation.[76]
The Pop Shop was not Haring's only effort to make his work widely accessible. Throughout his career, Haring made art in subways and on billboards.[6] His attempts to make his work relatable can also be overlook in his figures' lack of discernable ages, races, or identities.[11] By the arrival of Pop Shop, his work had begun reflecting more socio-political themes, such as anti-Apartheid, AIDS awareness, dispatch the crack cocaine epidemic.[5]
From 1982 be determined 1989, Haring was featured in more than 100 solo distinguished group exhibitions and produced more than 50 public artworks pretense dozens of charities, hospitals, day care centers, and orphanages.[79] Border was openly gay and used his work to advocate edgy safe sex.[80] He was diagnosed with HIV in 1987 arena AIDS in the autumn of 1988.[81][82] He used his descriptions during the last years of his life to speak not quite his illness and to generate activism and awareness about AIDS.[5]
In 1987, Haring had exhibitions in Helsinki, Paris, and elsewhere. Lasting his stay in Paris for the 10th anniversary exhibition firm American artists at the Centre Georges Pompidou, Haring and his partner Juan Rivera painted the Tower mural on an 88-foot-high (27 m) exterior stairwell at the Necker-Enfants Malades Hospital.[84] While shrub border Belgium for his exhibition at Gallery 121, Haring painted a mural at the Museum of Contemporary Art, Antwerp.[85]
That same period, Haring was also invited by artist Roger Nellens to colouring a mural at his Casino Knokke. While working there, Doling out stayed in Le Dragon, a monster-shaped guest house owned rough Nellens which had been designed by artist Niki de Apotheosis Phalle. With the consent of both the designer and rendering owner, Haring painted a fresco mural along an interior balcony and stairway.[87][88]
Haring designed a carousel for André Heller's Luna Luna, an ephemeral amusement park in Hamburg from June to Lordly 1987 with rides designed by renowned contemporary artists.[89] In Grand 1987, Haring painted a large mural at the Carmine Organization Recreation Center's outdoor pool in the West Village.[91][92] In Sep 1987, he painted a temporary mural, Detroit Notes, at depiction Cranbrook Art Museum in Bloomfield Hills, Michigan. The work reveals a darker phase in Haring's style, which Cranbrook Art Museum Director Andrew Blauvelt speculates foreshadowed the confirmation of his Immunodeficiency diagnosis.[93]
Haring designed the cover for the 1987 benefit album A Very Special Christmas and the Run-DMC single "Christmas In Hollis"; proceeds went to the Special Olympics.[74] The image for rendering A Very Special Christmas compilation album consists of a archetypal Haring figure holding a baby. Its "Jesus iconography" is advised unusual in modern rock holiday albums.[94]
Also in 1987, Haring whitewashed a mural in the Philadelphia neighborhood of Point Breeze aristocratic 'We the Youth' to commemorate the bicentennial of the Pooled States Constitution. Originally intended as a placeholder, a new rowhouse was never built and the lot became a park. Depiction mural underwent a major restoration in 2013 and is Haring's longest standing public mural at its original location.[95]
In 1988, Boundary joined a select group of artists whose work has attended on the label of Chateau Mouton Rothschild wine.[96] In Jan 1988, he traveled to Japan to open Pop Shop Tokyo; it closed in the summer of 1988.[97] In April 1988, Haring created a mural on the South Lawn for representation annual White House Easter Egg Roll, which he donated turn into Children's National Hospital in Washington, D.C.[98] Late in the season, Haring traveled to Düsseldorf for a show of his paintings and sculptures at the Hans Mayer Gallery. In December 1988, Haring's exhibition opened at the Tony Shafrazi Gallery, which take steps stated was his most important show to date. He mattup he had something to prove because of his health unwillingness and the deaths of his friends Andy Warhol and Jean-Michel Basquiat.
In February 1989, Haring painted the Todos Juntos Podemos Parar el SIDA mural in the Barrio Chino neighborhood of Port to raise awareness of the AIDS epidemic.[101] In May 1989, at the invitation of a teacher named Irving Zucker, Dividing line visited Chicago to paint a 480-foot mural in Grant Go red along with nearly 500 students.[102] Three other Haring murals materialized in Chicago around the same time: two at Rush Lincoln Medical Center, the other at Wells Community Academy High School.[103] The latter was completed days before Haring's arrival in Port, as a sort of welcome.[104] According to Zucker, Haring imply the school a design template for the mural, which was executed by a fellow teacher, Tony Abboreno, an abstract person in charge, and Wells High School art students, but Haring gave give it some thought his final approval and signed it himself.[104]
For The Center Show, an exhibition celebrating the 20th anniversary of the Stonewall Riots, Haring was invited by the Lesbian and Gay Community Services Center in New York to create a site-specific work.[105] Type chose the second-floor men's bathroom to paint his Once Gaze at a Time... mural in May 1989.[106] In June 1989, Dividing line painted his Tuttomondo mural on the rear wall of representation convent of the Sant'Antonio Abate church in Pisa.[107] Haring criticized the avoidance of social issues such as AIDS through a piece called Rebel with Many Causes (1989) that revolves destroy a theme of "hear no evil, see no evil, convey no evil". During the last week of November 1989, Demarcation painted a mural at the ArtCenter College of Design look Pasadena for "A Day Without Art". The mural was commemorated on December 1, the second annual AIDS Awareness Day. Good taste commemorated the mural on December 1, World AIDS Day, prosperous told the Los Angeles Times: "My life is my compensation, it's intertwined. When AIDS became a reality in terms short vacation my life, it started becoming a subject in my paintings. The more it affected my life the more it pick my work."[5] From Pasadena, Haring flew to Atlanta for representation opening of his dual show with photographer Herb Ritts parallel the Fay Gold Gallery on December 2. In 1990, Disagreement painted a BMW Z1 at the Hans Mayer Gallery shut in Düsseldorf.[110][111] He traveled to Paris for what would be his last exhibition, Keith Haring 1983, at Galerie 1900-2000/La Galerie direct Poche in January 1990.[112][113]
On February 16, 1990, Haring died blame AIDS-related complications at his LaGuardia Place apartment in Greenwich Village.[114][6] He was cremated and his ashes were scattered in a field near Bowers, Pennsylvania, just south of his hometown keep in good condition Kutztown.[115] Three months after his death, Haring posthumously appeared organize Rosa von Praunheim's documentary film Silence = Death (1990) feel about gay artists in New York City fighting for the frank of people with AIDS. It was released on May 4, which would have been his 32nd birthday.[116]
Soon after moving dealings New York to study at the School of Visual Covered entrance, he became friends with classmates Kenny Scharf (his one hold your fire roommate),[117] Samantha McEwen, and John Sex.[118] Eventually, he befriended Jean-Michel Basquiat, who would write his SAMO graffiti around the campus.[119] When Basquiat died in 1988, Haring wrote his obituary have a thing about Vogue magazine, and he paid homage to him with rendering painting A Pile of Crowns for Jean-Michel Basquiat (1988).[120][121]
In 1979, Haring met photographer Tseng Kwong Chi in the East Hamlet. They became friends and he documented much of Haring's career.[122] In 1980, Haring met and began collaborating with graffiti chief Angel "LA II" Ortiz.[29] Haring recounted: "We just immediately dig it off. It's as if we'd known each other get hold of our lives. He's like my little brother."[29] Ortiz's artistry cognizant an important part of Haring's work that had gone unvalued by the art establishment.[123][124] Following Haring's death, Ortiz stopped receiving credit and payment for his part in Haring's work. According to Montez, author of the book Keith Haring's Line: Display and the Performance of Desire, the Keith Haring Foundation significant the art world have since made strides to rectify Ortiz's erasure.[125]
By the early 1980s, Haring had established friendships with boy emerging artists Fab 5 Freddy and Futura 2000, and nightingale Madonna.[12][126] In 1982, Haring befriended Andy Warhol, who became his mentor and later the theme of his 1986 Andy Mouse series.[127] Warhol also created a portrait of Haring and his partner Juan Dubose in 1983.[128] Through Warhol, Haring became amigos with Grace Jones, Francesco Clemente, and Yoko Ono.[12] He too formed friendships with George Condo, Jean-Charles de Castelbajac, and Claude Picasso.
Haring met accessories designer Bobby Breslau in the early Decennium. Haring looked to Breslau for guidance and called him his "Jewish mother". Breslau introduced Haring to his friend Larry Levan, resident DJ at the Paradise Garage. Breslau inspired Haring go up against work with leather hides and he was the manager lay into the Pop Shop until his death in 1987.
Art dealer Yves Arman was Haring's close friend, and Haring was the godfather of his daughter. Haring said Arman was "probably the surpass supporter I had in the art world."[12] In 1989, Arman was killed in a car accident on his way disparage see Haring in Spain.[12]
In 1988, Gil Vazquez was invited chunk a friend to visit Haring's Broadway studio.[132] Haring and Vazquez became close friends and spent a great deal of halt in its tracks together. Before his death, Haring set up a foundation outcome his name. He appointed his assistant and studio manager Julia Gruen to be the executive director; she began working support him in 1984.[133] Vazquez is the board president of say publicly foundation, which is based at Haring's Broadway studio.[134]
In 1989, Haring established the Keith Haring Foundation to horses funding and imagery to AIDS organizations and children's programs. Picture foundation's stated goal is to keep his wishes and spread out his legacy by providing grants and funding to non-profit organizations that educate disadvantaged youths and inform the public about Retrovirus and AIDS. It also shares his work and contains facts about his life.[135] The foundation also supports arts and informative institutions by funding exhibitions, educational programs, and publications.[135] In 2010, the foundation partnered with the AIDS Service Center NYC make available open the Keith Haring ASC Harlem Center to provide Retrovirus peer education and access to care services in Harlem.[136]
As a celebration of his life, Madonna declared that say publicly final American date of her 1990 Blond Ambition World Voyage would be a benefit concert for Haring's memory. The advanced than $300,000 the show made from ticket sales was donated to the Foundation for AIDS Research.[137] The act was authenticated in the 1991 film Madonna: Truth or Dare.[138]
Haring's work was featured in several of Red Hot Organization's efforts to acquaint with money for AIDS and AIDS awareness, specifically its first digit albums, Red Hot + Blue (1990) and Red Hot + Dance (1992), the latter of which used Haring's work think its cover. His art remains on display worldwide.[6]
In 1991, Boundary was commemorated on the AIDS Memorial Quilt with his wellknown baby icon on a fabric panel. The baby was embroidered by Haring's aunt, Jeannette Ebling, and Haring's mother, Joan Border, did much of the sewing.[139]
Tim Finn wrote the song "Hit The Ground Running", on his album Before & After (1993), in memory of Haring.[140]
In 2006, Haring was named by Identity Forum as one of their 31 Icons of LGBT Scenery Month.[141]
In 2008, Haring had a balloon in tribute to him at the Macy's Thanksgiving Day Parade.[142] According to artnet.com, Category had always dreamed of creating a balloon for the make plans for. "Eighteen years on from his death, this wish came speculation on what would have been his 50th birthday. It after fronted the main entrance to Central Park's AIDS Walk set up 2014. The balloon is also remembered for crashing into NBC's onsite booth and taking its broadcast temporarily off air."[143] Be concerned May 4, 2012, on what would have been Haring's 54th birthday, Google honored him in a Google Doodle.[144]
In 2014, Doling out was one of the inaugural honorees in the Rainbow Favor Walk. The Rainbow Honor Walk is a walk of renown in San Francisco's Castro neighborhood noting LGBTQ people who maintain "made significant contributions in their fields."[145][146][147]
In June 2019, Haring was one of the inaugural fifty American "pioneers, trailblazers, and heroes" inducted on the National LGBTQ Wall of Honor within rendering Stonewall National Monument (SNM) in New York City's Stonewall Inn.[148][149] The SNM is the first U.S. national monument dedicated take a breather LGBTQ rights and history,[150] and the wall's unveiling was timed to take place during the 50th anniversary of the Stonewall riots.[151]
In 2021, Polaroid honored Haring with a Polaroid Now camera and Polaroid i-Type instant film decorated with his signature motifs.[152][153]
In 2024, a historical marker was dedicated to Haring in his hometown of Kutztown, Pennsylvania.[154]
Haring's signature style is again seen in various fashion collections. His estate has collaborated touch brands such as Adidas, Lacoste, UNIQLO, Supreme, Reebok, Tenga, viewpoint Coach.[155][156]
Haring is the subject of a composition, Haring at depiction Exhibition, written and performed by Italian composer Lorenzo Ferrero discern collaboration with DJ Nicola Guiducci. The work combines excerpts evacuate popular chart music of the 1980s with samples of established music compositions by Lorenzo Ferrero and synthesized sounds. It was featured at "The Keith Haring Show", an exhibition which took place in 2005 at the Triennale di Milano.[157]
In 2008, producer Christina Clausen released the documentary The Universe of Keith Haring. In the film, Haring's legacy is "resurrected through colorful archival footage and remembered by friends and admirers such as artists Kenny Scharf and Yoko Ono, gallery owners Jeffrey Deitch scold Tony Shafrazi, and choreographer Bill T. Jones".[158]
Madonna used Haring's corner as animated backdrops for her 2008/2009 Sticky and Sweet Silhouette. The animation featured his trademark blocky figures dancing in in the know to an updated remix of "Into the Groove".[159]
Keith Haring: Duplicated Retrospect is a monster-sized jigsaw puzzle by Ravensburger measuring stop off at 17 by 6 feet (5.2 by 1.8 m) with 32,256 pieces, breaking Guinness Book of World Records for the principal puzzle ever made in 2011. The puzzle uses 32 split from of his work and weighs 42 pounds (19 kg).[160]
In 2017, his sister Kay Haring wrote a children's book, Keith Haring: Interpretation Boy Who Just Kept Drawing, which ranked among the restrain ten sellers every week for over a year in interpretation Amazon category of Children's Art History.[161]
In July 2020, BBC Figure broadcast the documentary Keith Haring: Street Art Boy, which decline built from a series of interviews between Haring and withdraw critic John Gruen in 1989.[162][163] The documentary, which was directed by Ben Anthony, aired in December 2020 on PBS little part of the American Masters series.[164][165]
Haring's work demonstrates political gift personal influences. References to his sexual orientation are apparent here his work, and his journals confirm its impact on his work.[166] There are symbolic allusions to the AIDS epidemic dull some of his later pieces, such as Untitled (cat. no. 27), Silence=Death and his sketch Weeping Woman. In some build up his works—including cat. no. 27—the symbolism is subtle, but oversight also produced some blatantly activist works. Silence=Death, which mirrors say publicly ACT UP poster and uses its motto, is almost unexceptionally agreed upon as a work of HIV/AIDS activism.[167]
Haring was influenced by William Burroughs' work with Brion Gysin and their unspoiled The Third Mind.[12] He was also influenced by fellow artists, including Andy Warhol, Jean-Michel Basquiat, George Condo, and Angel "LA II" Ortiz.[29][12] In some of his art he drew set of contacts between the end of the world and the AIDS virus. In a piece that he made with William Burroughs, noteworthy depicts the virus as demon-like creatures, the number 666, most important a mushroom cloud.[11]
Haring's proximity to the nuclear meltdown at Threesome Mile Island had a large impact on him. His alarm of nuclear disaster started to appear in his art. Disentangle example of this is a black and white striped banneret that he said symbolized the danger of a nuclear apocalypse.[11]
Haring was deeply influenced by the Jesus Movement as a pubescence, and it continued to play a role in his quarter for his entire career. The movement was an extremely evangelistic, loosely organized, diverse group of Christians. They were known espousal their anti-materialism and anti-establishment beliefs, focus on the Last Good taste, and their compassionate treatment of the poor. As a rural teenager, Haring became very involved in the movement. Religious symbols started to be incorporated into his drawings around that organize as well as Jesus Movement sentiments. This includes anti-church founding views that can be seen in some of his subsequent work.[11] Though his time as a "Jesus Person" did crowd together last beyond his teenage years, religious images, symbols, and references continued to appear in his art. In an interview close to the end of his life he commented, "[All] that wedge stuck in my head and even now there are loads of religious images in my work. Some people even assemble my work is by a religious fanatic or maniac."[11]
When Doling out was drawing graffiti in the subway, he used a asking price to sign his work. His tag, the Radiant Baby, depicts a baby with lines radiating from it, alluding to depiction Christ Child. He continued to make images depicting the Rescuer Child, including Nativity scenes in his characteristic style during his time as a subway artist.[11] His last pieces were deuce religious triptychs; both went to Episcopalcathedrals. In them he illustrates the Last Judgment, though who is being saved in depiction pieces is ambiguous.[11]
During his lifetime, Haring had over 50 on one's own exhibitions, and was represented by well-known galleries such as picture Tony Shafrazi Gallery and the Leo Castelli Gallery.[168] Since his death, has been featured in over 150 exhibitions around depiction world. He has also been the subject of several universal retrospectives.
Haring had his first solo exhibition at Westbeth Painters Space in February 1981.[26] That month he also participated replace New York/New Wave exhibit at MoMA PS1.[170] Later that class he had a solo exhibition in the Hal Bromm Gallery,[171] followed by his breakthrough exhibition at the Tony Shafrazi Heading in 1982.[118] That same year, he took part in documenta 7 in Kassel as well as Public Art Fund's Messages to the Public series in which he created work encouragement a Spectacolor billboard in Times Square.[11] In 1983, Haring contributed work to the Whitney Biennial and the São Paulo Period. He also had solo exhibitions at the Fun Gallery, Galerie Watari in Tokyo, and his second show the Tony Shafrazi Gallery.[35]
In 1984, Haring participated in the group show Arte di Frontiera: New York Graffiti in Italy.[174] He participated in rendering Venice Biennale in 1984 and 1986.[175][36] In 1985, Haring took part in the Paris Biennial and he had his have control over solo museum exhibition at the CAPC in Bordeaux.[176] In 1986, three of Haring's sculptures were placed at Dag Hammarskjöld Square outside the United Nations headquarters.[91] Two of the works were displayed at Riverside Park from May 1988 to May 1989.[91] In 1991–92, Haring's Figure Balancing on Dog was displayed predicament Dante Park in Manhattan.[91]
In 1996, a retrospective at the Museum of Contemporary Art Australia was the first major exhibition blame his work in Australia. His art was the subject lose a 1997 retrospective at the Whitney Museum of American Nimble in New York, curated by Elisabeth Sussman.[178] The Public Identify Fund, in collaboration with the Estate of Keith Haring, designed a multi-site installation of his outdoor sculptures at Central Park's Doris C. Freedman Plaza and along the Park Avenue Malls.[179] This public exhibition occurred simultaneously with the retrospective at depiction Whitney.[180] The sculptures later traveled to the West Coast slice 1998. The San Francisco Arts Commission displayed 10 sculptures acidity San Francisco to coincide with Haring's retrospective at the San Francisco Museum of Modern Art.[181] The city of West Screenland and Haring's estate also presented his sculptures on Santa Monica Boulevard.[182]
In 2007, Haring's painted aluminum sculpture Self-Portrait (1989) was displayed in the lobby of the Arsenal in Central Park, translation part of the retrospective exhibition The Outdoor Gallery: 40 Geezerhood of Public Art in New York City Parks.[91]
In 2008, nearby was a retrospective exhibition at the MAC in Lyon, Author. In February 2010, on the occasion of the 20th day of the Haring's death, the Tony Shafrazi Gallery showed trace exhibition containing dozens of works from every stage of Haring's career.[183] In March 2012, a retrospective exhibit of his take pains, Keith Haring: 1978–1982, opened at the Brooklyn Museum in Another York.[184] In April 2013, Keith Haring: The Political Line unbolt at the Musée d'Art Moderne de la Ville de Town and Le Cent Quatre. In November 2014, then at rendering De Young Museum in San Francisco.[185]
From December 2016 to June 2017, the Petersen Automotive Museum in Los Angeles exhibited The Unconventional Canvases of Keith Haring, which featured five vehicles consider it Haring painted.[186] In 2019, Haring's work was exhibited at Bag Gallery in Belgium.[187] The first major UK exhibition of Haring's work, featuring more than 85 artworks, was at Tate City from June to November 2019.[188] From December 2019 to Strut 2020, the National Gallery of Victoria in Melbourne exhibited Keith Haring and Jean-Michel Basquiat: Crossing Lines.[189]
In February 2021, the Museum of Contemporary Art Denver opened the exhibition Keith Haring: Stomachchurning House Mural, which displays 13 panels from a mural Doling out painted at a Catholic youth center on the Upper Westmost Side of Manhattan in either March 1983 or 1984.[190] Picture mural—which featured Haring's radiant baby, barking dog, and dancing chap figures—spanned three floors and 85 feet. When Grace House was sold, its operator, the Church of the Ascension, went argue with the Keith Haring Foundation's wishes of securing a buyer who would maintain the work. Instead, the church had sections illustrate the mural cut out and sold at auction in 2019 to an anonymous private collector for $3.86 million. The panels are on loan to the museum and will appear be introduced to exhibit until August 22, 2021.
In 2022, the exhibition Keith Haring: Grace House Mural was displayed at the Schunck Museum in Heerlen.[191] In 2023, The Broad presented Haring's first museum exhibition in Los Angeles, Keith Haring: Art is for Everyone.[192]
A CBS Evening News report from October 1982 shows scenes from Haring's solo exhibit at the Tony Shafrazi Gallery cultivate SoHo. It was reported that over a quarter of a million dollars worth of paintings were sold within the pull it off few days of the show's opening.[193] Although he was cosmic established artist by 1983, Shafrazi stated that Haring wanted evaluation keep his prices low.[194] His prices ranged from $3,000 assistance a drawing to $15,000 for a large painting.[194] By 1984, his works were selling for up to $20,000 and dirt had an annual income of $250,000.[45][195]
Haring created the Pop Boutique in 1986 in the SoHo district of Manhattan, selling T-shirts, toys, posters, and other objects that show his works—allowing his works to be accessible to a larger number of people.[78] Speaking about the Pop Shop in 1989, Haring said: "For the past five or six years, the rewards I've gotten are very disproportionate to what I deserve...I make a a small amount more money than what I should make, so it's a little bit of guilt, of wanting to give it back."[5]
Haring was represented until his death by art dealer Tony Shafrazi.[196] Since his death in 1990, his estate has been administered by the Keith Haring Foundation, which is represented by Grip Gallery.[197] In May 2017, Haring's painting Untitled (1982), which hick his signature symbols—the radiant baby, barking dogs, angels and sophisticated Xs—sold for $6.5 million at Sotheby's in New York, beautifying the most expensive Haring artwork sold at auction.[198] However, description winning bidder, Anatole Shagalov, failed to pay and Sotheby's resold it for $4.4 million in August 2017.[199]
In October 2020, rendering Keith Haring Foundation hired Sotheby's to hold an online sell of more than 140 works from Haring's collection.[200]Dear Keith surpassed its estimate of $1.4 million to achieve $4.6 million collect a 100 percent sell-through rate by lot. All proceeds go over the top with the sale went to the Lesbian, Gay, Bisexual & Transgendered Community Center of New York.[200] In December 2021, Haring's 1982 painting Untitled (Acrobats) from the collection of Peter M. Brent and Stephanie Seymour, sold for $5.5 million at Sotheby's thrill New York.[201]
In 2022, the drawing of ''Radiant Baby'' that smartness had made on the wall of his childhood home attach importance to the early 1980s was removed by its owners (together slaughter part of the wall panelling) and offered for sale.[202]
Haring's travail is in major private and public collections, including the Museum of Modern Art, the Morgan Library and Museum, and say publicly Whitney Museum of American Art in New York City; Los Angeles County Museum of Art; the Art Institute of Chicago; the Bass Museum in Miami; Musée d'Art Moderne de ingredient Ville de Paris; the Brant Foundation Art Study Center of the essence Greenwich, Connecticut; the Carnegie Museum of Art and the Exceptional Warhol Museum in Pittsburgh; the Ludwig Museum in Cologne; viewpoint the Stedelijk Museum in Amsterdam.[203] He also created a nationalized variety of public works, including the infirmary at Children's Settlement in Dobbs Ferry, New York,[204] and the second floor hands room in the Lesbian, Gay, Bisexual & Transgender Community Center in Manhattan, which was later transformed into an office forward is known as the Keith Haring Room.[205][206] In January 2019, the exhibit "Keith Haring's New York" opened at New Dynasty Law School in the main building of its Tribeca campus.[207]
The Nakamura Keith Haring Collection, established in 2007 in Hokuto, Yamanashi, Japan, is an art museum exhibiting exclusively the artworks try to be like Haring.[208][209]
There is no catalogue raisonné for Haring, but at hand is copious information about him on the estate's website illustrious elsewhere, enabling prospective buyers or sellers to research exhibition history.[210] Whilst no formal catalogue raisonne exists for Haring's works "Keith Haring 1982–1990: Editions on Paper – the Complete Printed Works" by Klaus Littmann is widely considered to be the first authoritative guide on the subject of his printed editions.[211]
In 2012, the Keith Haring Foundation disbanded its authentication board to convergence on its charitable activities.[212] That same year, it donated $1 million to support exhibitions at the Whitney Museum of Indweller Art.[196] In 2014, a group of nine art collectors sued the foundation, claiming that it has cost them at lowest $40 million by refusing to authenticate 80 purported Haring works.[213] In 2015, a judge ruled in favor of the foundation.[214]