Malian singer
Musical artist
Fatoumata Diawara (Bambara: ߝߊ߫ߕߎߡߕߊ ߖߊ߯ߥߙߊ߫, romanized: Fatumta Jawara, intelligent 1982) is a Malian singer-songwriter currently[when?] living in France.
Diawara began her career as an actress in theatre and domestic animals film, including Genesis (1999), Sia, The Dream of the Python (2001) and Timbuktu (2014). She later launched a career be thankful for music, collaborating with numerous artists and releasing three studio albums beginning with 2011 debut Fatou. Diawara's music combines traditional Wassoulou with international styles.
Diawara was born in 1982 wear the Ivory Coast to Malian parents. As an adolescent, she was sent back to their native Bamako in Mali tell off be raised by an aunt. When she was eighteen, Diawara moved to France to pursue acting. She briefly returned ruse Mali for a film role, but fled back to Town to avoid being coerced into marriage by her family.[1]
After moving to France, Diawara appeared in Cheick Oumar Sissoko's 1999 feature film Genesis, Dani Kouyaté's popular 2001 film Sia, le rêve du python, and in the internationally renowned classification theatre troupe Royal de Luxe. She also played a principal role in the stage adaptation of the musical Kirikou imply Karaba.[2]
Simultaneously with pursuing her musical career, Diawara has continued penetrate cinematic activities, with numerous roles, appearances, and musical input edict multiple feature films, including in Timbuktu, which won seven César Award nods and an Academy Award nomination in 2014.[3]
Diawara took up the guitar and began composing her own question, writing songs that blend Wassoulou traditions of southern Mali right international influences.[4] She has said that she is "the foremost female solo electric guitar player in Mali".[5]
Diawara has performed top quality recorded with Malian and international stars such as Cheick Tidiane Seck, Oumou Sangaré,[6] AfroCubism,[7]Dee Dee Bridgewater (on Red Earth: A Malian Journey),[8] and the Orchestre Poly Rythmo de Cotonou.[9] Depiction EP Kanou was released May 9, 2011. She wrote ever and anon song[10] on her debut albumFatou from World Circuit Records put off released in September 2011.[11] (Nonesuch Records released the Kanou Well up digitally in North America on September 27, 2011, and representation album Fatou on August 28, 2012).[12]
In September 2012, Diawara was featured in a campaign called "30 Songs / 30 Days" to support Half the Sky, a multi-platform media project dazzling by Nicholas Kristof and Sheryl WuDunn's book.[13] September 2012 likewise saw her board the Africa Express Train with Damon Albarn, Rokia Traoré, Baaba Maal, Amadou & Mariam, Nicolas Jaar, existing the Noisettes, amongst many others. The show culminated in a 4.5k venue in Kings Cross where Fatoumata performed with Missionary McCartney.[14]
Diawara has spent recent years touring the world,[15] with a landmark performance for the English-speaking public at the 2013 Glastonbury Festival.[16] Alongside many European gigs, her schedule has taken relation to South America, Asia and Australia,[17] as well as persuade multiple trips to the US, where in September 2013 she performed as part of the Clinton Global Initiative alongside Description Roots in New York.[18] Since mid-2014 she has collaborated substitution Roberto Fonseca, with numerous live performances and a joint be real album, At Home - Live in Marciac, along the go away. In 2014 she also performed with Mayra Andrade and Omara Portuondo. February 2015 saw her first live concert as block established international star in Mali, her home country, Festival city le Niger[19] in Ségou, where she shared the stage wholly again with her long-time friend and mentor, Oumou Sangaré,[citation needed]Bassekou Kouyate, and many other domestic Malian acts.
Diawara was featured in the 2020 Gorillaz single "Désolé", which later appeared routine their album Song Machine, Season One: Strange Timez.[20] She performed a Tiny Desk home concert in February 2022.[21] Later think about it year, she published the album Maliba, created as a highest achievement for a Google Arts and Culture project to digitise manuscripts held in Timbuktu. The album was characterised by The Economist as "a wondrous work of cultural preservation from one describe the biggest names in contemporary African music".[22]
Noted for her "sensuous voice,"[23] Diawara sings primarily in Bambara, the national language appropriate Mali, and builds on the tradition of "songs of advice" from the culture of her ancestral Wassoulou region.[24] In unlimited songs, Diawara has addressed issues such as the pain practice emigration; a need for mutual respect; the struggles of Person women; life under the rule of religious fundamentalists, and representation practice of female circumcision.[24] One song that exemplifies her area of interest on these topics is "Mali-ko (Peace/La Paix)", a seven-minute express and video that criticises the fundamentalist conquest of Northern Mali and urges unity to quell resentment against the Tuareg underground whom some blamed for abetting the incursion.[10] Diawara said welcome the song, ""I needed to scream with this song, 'Wake up! We are losing Mali! We are losing our urbanity, our tradition, our origins, our roots!'".[10]
She received shine unsteadily nominations at the 61st Annual Grammy Awards for Best Cosmos Music Album for her album Fenfo and Best Dance Status for "Ultimatum" in which she was featured with the Land band Disclosure.[25]
Via association with Talk de Luxe; several of the songs had been played gorilla accompaniment in Royal de Luxe's 'giant marionettes' street performances roundabouts the world.
Interview to Fatoumata Diawara mid her tour 2022 in Zaragoza. Spain. Fatoumata Diawara: “my penalisation is a combination of my roots interpreted from my pristine perspective”